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・ Hannah Macdougall
・ Hannah Macleod
・ Hannah Mancini
・ Hannah Margaret Mary Closs
・ Hannah Maria Jones
・ Hannah Maria Libby Smith House
・ Hannah Marie Wormington
・ Hannah Marks
・ Hannah Marshall
・ Hannah Marshall (fashion designer)
・ Hannah Marshman
・ Hannah Martin
・ Hannah Mary Rathbone
・ Hannah Mary Rothschild
・ Hannah Mather Crocker
Hannah Maybank
・ Hannah Mayho
・ Hannah Maynard
・ Hannah McKay
・ Hannah McKeand
・ Hannah McKinney
・ Hannah McLean
・ Hannah med H
・ Hannah med H Soundtrack
・ Hannah Midgley
・ Hannah Miley
・ Hannah Milhous Nixon
・ Hannah Miller
・ Hannah Miller House
・ Hannah Mills


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Hannah Maybank : ウィキペディア英語版
Hannah Maybank
Hannah Maybank (born in Stafford 1974) is a British artist best known for the ripped and distressed surfaces of her three-dimensional paintings in acrylic. She graduated from an MA in Painting at the Royal College of Art, London, in 1999, following a BA (Hons) Fine Art from Liverpool John Moores University. She lives and works in London.
==Work==
Maybank’s paintings contain elements from the natural world such as trees, flowers, clouds, and mountains. These natural elements are pared down to simple silhouette forms to act like motifs. Worked most often in monochrome, these motifs or templates are repeated across the surface of the paintings to create a patterning in both the visual composition and through the process of their creation.
Influenced from the mid-nineties by the works of Imi Knoebel, Agnes Martin and Ad Reinhardt, Hannah Maybank uses both construction and destruction to create works which echo our relationship to time and the natural world. The cycles within life, both birth and decay, are reflected by the process in which her paintings are made: layers upon layers of latex and acrylic paint are built up to be then stripped, cut and peeled away to reveal both the composition and lifespan of the piece.
Starting out as a series of black calligraphic like ink drawings, the composition of each painting is then pre-determined by a series of carefully worked, to-scale line drawings on layers of tracing paper. Sometimes running to a twelve layered and exactly registered set of drawings, these plans are then transferred to the surface of the painting at their pre-designated stage. Success or failure is often granted at the final stages of the making of each piece. The exactitude of all of the drawings is then perversely handed over to chaos, as the surface is ripped, ruptured and sliced and the picture revealed.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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